Category Archives: Film Analysis

Documentary: Embracing the Panda (Making ‘Turning Red’) 2022

‘Turning Red’ is a beautiful coming of age story within an Asian Canadian family, directed by Domee Shi and produced by Pixar. I was intrigued by the making of this film for various reasons – one of which being the colour script. For me, ‘Turning Red’ was just an iconic film – I could identify with the fact that it was set in the early 2000’s with the reference to certain anime i.e ‘Sailor Moon’ and objects / toys / boy bands from that time i.e ‘Tamagotchi’, as I was a teenager in the early 2000’s.

Youtube.com. 2022. Embrace the Panda: Making Turning Red | Official Trailer | Disney+. [online] Available at: <https://www.youtube.com/watch?v=vSSC-Lhu-lc>

Youtube.com. 2022. “Panda Power” Featurette | Turning Red | Disney+. [online] Available at: <https://www.youtube.com/watch?v=b1KCZnE5Oio>

Domee Shi, First Time Feature Director

‘So, the red panda is basically a metaphor for magical puberty.’

‘When I first started this movie, I was determined to make something different.’

‘Making the film, it’s just been like a long marathon. It feels like you are part of a pirate ship.’

Lindsey Collins, Producer

‘Producer is the one orchestrating this giant circus, she’s the ring leader.’

‘I see it as partner to the director. So that includes, being a creative partner but also managing the crew and surrounding her with all the right people.’

‘You always offer ways to move story along and help production through, not just by managing it but also just from an emotional creative side aswell.’

Rona Liu, Production Designer

‘The production designer is the first person brought on the show after the producer and director – and that’s basically because from the very beginning her job is to kind of figure out what the movie is going to look like. That is everything from characters to sets to colour to tone and style.’

‘My role is to collaborate closely with the director and makes sure her vision translates throughout all of the departments and onto the screen.’

‘I know that I am providing people information they need to get their work done.’

Overall, I was mostly intrigued by the ‘Production Designer’ role and they way that Rona Liu had communicated with her colleagues. Also, this role is somewhat unheard of from what I have currently researched. Maybe it is due to the fact that it was a major project and needed it. This role was very intriguing as it combines visual development and producing. I intend to research the role more through Rona Liu interviews, in order to understand her take on the role.

Unit 2: LIAF, ‘Short and daring’

The LIAF project is quite intense but very useful and interesting to see how I would approach creating an animated film.

My very initial and raw idea began with a Venn diagram – as it played into my interest of colour theory. So, that was my starting point. I then started to picture what the overall theme could be. Using Robert Bradbrook’s storytelling sessions, I began to piece together a structure for this story.

Mixed Signals: LIAF Pitch

I’m really proud of my pitch. Even though I haven’t been chosen, I am excited for what this idea could evolve into for my final film.

Exhibition: ‘Black’, The Cartoon Museum

Exhibition: ‘Black’ was held at the Cartoon Museum which had recently been moved. It was a very small exhibition but it definitely made an impact. Written by Tobias Taitt and illustrated by Anthony Smith, the autobiographical graphic novel allowed for a different style.

I really enjoyed this exhibition. The Cartoon Museum is quite small, so it was an intimate exhibition within a small room.

Text from website:

‘Celebrating Black History Month, this powerful new exhibition explores the story and world of BLACK – the unflinching but uplifting new graphic memoir by writer Tobias Taitt and cartoonist Anthony Smith.

When Tobias was three, his mother killed his uncle. She was sent to prison, condemning him to spend his early life in a series of bleak institutions across rural England. As a black youth growing up in 1970s Britain, Tobias learned first-hand that the world could be a cold and uncaring place for a child of the state. But he also learned to navigate the system – and eventually to fight back against it. 

When Tobias discovered life outside the institutions that held him, so began his involvement with the world of crime. Yet at the same time, a love of literature, with all its possibilities, grew within him.

With words by Tobias and illustrations by Anthony Smith, BLACK tells the uncompromising true story of Tobias’s life. Displaying 24 original pen and ink illustrations and video narration from Tobias, this intimate new exhibition invites visitors to experience a powerful and personal encounter with the art, story and people behind this remarkable graphic novel.

Youtube.com. 2021. Anthony Smith at London Cartoon Museum launch of BLACK: The Story of Tobias Taitt graphic novel. [online] Available at: <https://www.youtube.com/watch?v=6ljaoz07jJY

FILM ANALYSIS: ‘Joker’

‘Joker’ is a very well known character in the DC world. This film is controversially unique from the other depictions of ‘Joker’. Referencing the classic Batman comics, I feel that this film wholly captures a grainy and rough world. Not only is it a film that is focussed on an ‘evil’ character, the arc is believe-able and relatable.

Youtube.com. 2019. Joker. [online] Available at: <https://www.youtube.com/watch?v=zAGVQLHvwOY>

One of the very first scenes in ‘Joker’ showcases a person who gets physically and emotionally beaten down and there is no rhyme or reason for it. It just happens – not because the character deserves that type of treatment – but simply because the people who hurt – can and want to. It is this type of action at the beginning of the film, that gives the audience an understanding and reasoning to the character’s reactions later on. It is an interesting take on this character, as prior iterations have always depicted the Joker as crazy or pure evil and given the audience no reason as to why.

Screenshot of ‘Joker’ (2019)

The screenshot above is from the very beginning of the film, where the character is innocently playing ‘peek-a-boo’ with a child in front of him on the bus. The camera angles transition from his perspective to the child’s perspective and builds in speed, up until the Mother interrupts as she is not amused by the interaction. Eventually, the main character falls into this continuous and persistent laugh (which is an essential feature to this character) and shows a card to the concerning Mother, stating that it is a condition of his. This interaction was necessary for two reasons: 1. It showcases why this character laughs in a particular way and 2. Although this character has this condition and was open and honest about it to a stranger, their reaction is still not pleasant.

Also in this screenshot, you can see that the character looks full of life, healthy and bright. The colouring of the film transitions as the character does. The initial decline of the character starts from the moment he gets beaten down emotional and physically which is at the start of the film. This film really showcases how someone can be so dangerously harmed and affected by others treatment. I believe that is very relatable, because it takes a lot of strength for someone to understand that how they are being treated is not a reflection of who they are.

Youtube.com. 2019. How about another joke, Murray?. [online] Available at: <https://www.youtube.com/watch?v=WbliHNs4q14>

The way the above scene is shot allows for the audience to feel the room. Most of the shots were from the host’s perspective where the main character is looking over his shoulder. The sound in this scene is particularly important as there is no music through the main character’s monologue but when the intense moments begin, the music starts.

FILM ANALYSIS: ‘Louise’

Youtube.com. 2021. LOUISE. [online] Available at: <https://www.youtube.com/watch?v=7GjJef2QkQU>

I came across this film on Youtube and honestly didn’t expect the ending. I think modern animation is becoming more truthful and realistic. This was a short snippet into Louise’s life and the hardships that she has to go through. There was a moment right at the end of the film, where I didn’t fully understand the reference – she was offered a sweet treat but was hesitant at first.

Close ups are meant to intensify a scene and show importance. This short film showcases the details of a dancer and the close ups signify this. However, there are moments of fleeting environments which alludes to the feeling of being backstage.

The moment when Louise is staring at herself in the mirror, fixing herself up – getting ready for what is about to happen. It is to prepare the audience for what she had to go through leading up to the act of hardship.

FILM ANALYSIS: ‘The Maker’

Youtube.com. 2012. The Maker. [online] Available at: <https://www.youtube.com/watch?v=YDXOioU_OKM>

‘The Maker’ is such a glorious film – in my opinion – it gives a beautiful story to such an odd character. The premise of this short film is essentially ‘time’ – how do we use the time we have to have the best possible outcome?

Youtube.com. 2014. Behind the Scenes of The Maker. [online] Available at: <https://www.youtube.com/watch?v=KavpG2t6qD8>

I first watched this short film on amazon, I have always been intrigued with stop motion. The character is somewhat endearing yet strikingly unattractive. The audience is stricken with the character’s fish like shiny eyes and misaligned teeth. We question the branding on the forehead and correlate this to instruments belonging to an orchestra.

FILM ANALYSIS: ‘Into the Spiderverse’

Youtube.com. 2018. SPIDER-MAN: INTO THE SPIDER-VERSE – Official Trailer (HD). [online] Available at: <https://www.youtube.com/watch?v=g4Hbz2jLxvQ>

Into the Spidervese has to be one of my all time favourite animated films. The fact that the ‘Spider-Man’ character is so well known and has been seen in many different lights, allows for the character to have more depth and reasoning behind their actions.

The mesh of 2D and 3D animation is truly a glorious thing. I was amazed at this film, because I hadn’t seen a clear mesh between 2D and 3D animation before.

Besides the obvious amazing visuals, the storyline was quite refreshing – other than the typical ‘Spiderman’ story. Miles Morales, as a young Spiderman offers a better representation for Spiderman.

East Meets West: Spectatorship

Audience > Style / Mode of Animation

Suresh Eriyat, Founder of Eekasauraus Studios

‘We do a variety of work which is not limited to animation. A combination of live action and animation.’

Eriyat, 2015

Eriyat develops and selects the mode of animation and stylistic approach through what he views as the best fit for the brief. In this sense, spectatorship drives his studio and allows for his studio to master a variety of animation disciplines. From an industry perspective, this way of working is beneficial for advertising companies as the versatility leads to a broader set of options for how the brief could be executed.

Youtube.com. 2014. India is Polio Free!. [online] Available at: <https://www.youtube.com/watch?v=lsJnBpRPt3Q>

‘It is not a conscious decision to make our films look different. But it is a conscious decision to make every story stand out differently. And, whilst selecting the style which works perfectly for the brief and story, there is also this responsibility that I don’t want to show people something that we have done before.’ 

Eriyat, 2015

Footnotes

Audiences – How they differ? How South Animators adapt to their audiences. Whereas Westernised animators develop a stylistic, more aesthetic approach. Do South Asian animators adapt their artistic style and mode of animation for their audiences?

East Meets West: Representation of Space

Pixar in a Box. Youtube. 2017. Storytelling: Space. [online] Available at: https://youtu.be/FedOS-whKuM

Above is a screenshot from the ‘Pixar in a Box’ series on YouTube, the scene dictates how lack of space can emulate constraint. Mr Incredible, a strong build / symbol of strength character is placed in a small cubicle. Not only is the cubicle insufficient in size for his build, the artists have further restricted his space by placing a massive pillar within it.

This scene is somewhat driven by the audience, which leans into spectatorship. We, as the audience, feel an overwhelming sense of constraint and tightness for the character. Not only is the ratio between the character and his space off kilter, we naturally compare his situation to the other characters adjacent to him, who have a sense of freedom.

Sanjay’s Super Team. 2015. [film] Directed by S. Patel. USA: Pixar Animation Studios

Above is a screenshot from ‘Sanjay’s Super Team’, a short film about an Indian boy who idolises American super hero’s and somewhat dislikes his Father’s traditional ways. Set in the USA, it highlights the struggles of embracing culture and traditions within a Western context.

In this particular scene, there are multiple references to consider:

The distance between the two ‘worlds’ showcases disconnect or lack of connection between the two characters, although they are both strategically housed under the same roof.

In terms of body language, the two characters in this scene are deflected from each other, both are immersed in their own worlds – almost uninterested in their surroundings. Note, the Father’s posture: upright on his knees, torso erect and placed majestically on the rug at eye level with the deity. Whereas, the son’s posture is relaxed with his leg lifted, flailing almost as he glares upwards staring in admiration at his ‘deities’. From this, we can somewhat gather that the Father is regimented and govern by tradition. In comparison to his son, who shows his age – a sense of child like freedom and unbothered by structure.

For instance, the generational differences – note, the focus on the glaring television, the bright colours and scattered objects somewhat allude to youth. Whereas, on the other side of the room, it is tidy, subdued in colours and the focus is on tradition / traditional objects.

Footnotes

How space alludes to connectivity between the Western culture and South Asian culture.
Relational tension between cultures, highlights the differences.