Category Archives: Perspective / Audience

Exhibition: ‘Black’, The Cartoon Museum

Exhibition: ‘Black’ was held at the Cartoon Museum which had recently been moved. It was a very small exhibition but it definitely made an impact. Written by Tobias Taitt and illustrated by Anthony Smith, the autobiographical graphic novel allowed for a different style.

I really enjoyed this exhibition. The Cartoon Museum is quite small, so it was an intimate exhibition within a small room.

Text from website:

‘Celebrating Black History Month, this powerful new exhibition explores the story and world of BLACK – the unflinching but uplifting new graphic memoir by writer Tobias Taitt and cartoonist Anthony Smith.

When Tobias was three, his mother killed his uncle. She was sent to prison, condemning him to spend his early life in a series of bleak institutions across rural England. As a black youth growing up in 1970s Britain, Tobias learned first-hand that the world could be a cold and uncaring place for a child of the state. But he also learned to navigate the system – and eventually to fight back against it. 

When Tobias discovered life outside the institutions that held him, so began his involvement with the world of crime. Yet at the same time, a love of literature, with all its possibilities, grew within him.

With words by Tobias and illustrations by Anthony Smith, BLACK tells the uncompromising true story of Tobias’s life. Displaying 24 original pen and ink illustrations and video narration from Tobias, this intimate new exhibition invites visitors to experience a powerful and personal encounter with the art, story and people behind this remarkable graphic novel.

Youtube.com. 2021. Anthony Smith at London Cartoon Museum launch of BLACK: The Story of Tobias Taitt graphic novel. [online] Available at: <https://www.youtube.com/watch?v=6ljaoz07jJY

FILM ANALYSIS: ‘Joker’

‘Joker’ is a very well known character in the DC world. This film is controversially unique from the other depictions of ‘Joker’. Referencing the classic Batman comics, I feel that this film wholly captures a grainy and rough world. Not only is it a film that is focussed on an ‘evil’ character, the arc is believe-able and relatable.

Youtube.com. 2019. Joker. [online] Available at: <https://www.youtube.com/watch?v=zAGVQLHvwOY>

One of the very first scenes in ‘Joker’ showcases a person who gets physically and emotionally beaten down and there is no rhyme or reason for it. It just happens – not because the character deserves that type of treatment – but simply because the people who hurt – can and want to. It is this type of action at the beginning of the film, that gives the audience an understanding and reasoning to the character’s reactions later on. It is an interesting take on this character, as prior iterations have always depicted the Joker as crazy or pure evil and given the audience no reason as to why.

Screenshot of ‘Joker’ (2019)

The screenshot above is from the very beginning of the film, where the character is innocently playing ‘peek-a-boo’ with a child in front of him on the bus. The camera angles transition from his perspective to the child’s perspective and builds in speed, up until the Mother interrupts as she is not amused by the interaction. Eventually, the main character falls into this continuous and persistent laugh (which is an essential feature to this character) and shows a card to the concerning Mother, stating that it is a condition of his. This interaction was necessary for two reasons: 1. It showcases why this character laughs in a particular way and 2. Although this character has this condition and was open and honest about it to a stranger, their reaction is still not pleasant.

Also in this screenshot, you can see that the character looks full of life, healthy and bright. The colouring of the film transitions as the character does. The initial decline of the character starts from the moment he gets beaten down emotional and physically which is at the start of the film. This film really showcases how someone can be so dangerously harmed and affected by others treatment. I believe that is very relatable, because it takes a lot of strength for someone to understand that how they are being treated is not a reflection of who they are.

Youtube.com. 2019. How about another joke, Murray?. [online] Available at: <https://www.youtube.com/watch?v=WbliHNs4q14>

The way the above scene is shot allows for the audience to feel the room. Most of the shots were from the host’s perspective where the main character is looking over his shoulder. The sound in this scene is particularly important as there is no music through the main character’s monologue but when the intense moments begin, the music starts.

East Meets West: Spectatorship

Audience > Style / Mode of Animation

Suresh Eriyat, Founder of Eekasauraus Studios

‘We do a variety of work which is not limited to animation. A combination of live action and animation.’

Eriyat, 2015

Eriyat develops and selects the mode of animation and stylistic approach through what he views as the best fit for the brief. In this sense, spectatorship drives his studio and allows for his studio to master a variety of animation disciplines. From an industry perspective, this way of working is beneficial for advertising companies as the versatility leads to a broader set of options for how the brief could be executed.

Youtube.com. 2014. India is Polio Free!. [online] Available at: <https://www.youtube.com/watch?v=lsJnBpRPt3Q>

‘It is not a conscious decision to make our films look different. But it is a conscious decision to make every story stand out differently. And, whilst selecting the style which works perfectly for the brief and story, there is also this responsibility that I don’t want to show people something that we have done before.’ 

Eriyat, 2015

Footnotes

Audiences – How they differ? How South Animators adapt to their audiences. Whereas Westernised animators develop a stylistic, more aesthetic approach. Do South Asian animators adapt their artistic style and mode of animation for their audiences?