Category Archives: Space / Framing / Composition

FILM ANALYSIS: ‘Joker’

‘Joker’ is a very well known character in the DC world. This film is controversially unique from the other depictions of ‘Joker’. Referencing the classic Batman comics, I feel that this film wholly captures a grainy and rough world. Not only is it a film that is focussed on an ‘evil’ character, the arc is believe-able and relatable.

Youtube.com. 2019. Joker. [online] Available at: <https://www.youtube.com/watch?v=zAGVQLHvwOY>

One of the very first scenes in ‘Joker’ showcases a person who gets physically and emotionally beaten down and there is no rhyme or reason for it. It just happens – not because the character deserves that type of treatment – but simply because the people who hurt – can and want to. It is this type of action at the beginning of the film, that gives the audience an understanding and reasoning to the character’s reactions later on. It is an interesting take on this character, as prior iterations have always depicted the Joker as crazy or pure evil and given the audience no reason as to why.

Screenshot of ‘Joker’ (2019)

The screenshot above is from the very beginning of the film, where the character is innocently playing ‘peek-a-boo’ with a child in front of him on the bus. The camera angles transition from his perspective to the child’s perspective and builds in speed, up until the Mother interrupts as she is not amused by the interaction. Eventually, the main character falls into this continuous and persistent laugh (which is an essential feature to this character) and shows a card to the concerning Mother, stating that it is a condition of his. This interaction was necessary for two reasons: 1. It showcases why this character laughs in a particular way and 2. Although this character has this condition and was open and honest about it to a stranger, their reaction is still not pleasant.

Also in this screenshot, you can see that the character looks full of life, healthy and bright. The colouring of the film transitions as the character does. The initial decline of the character starts from the moment he gets beaten down emotional and physically which is at the start of the film. This film really showcases how someone can be so dangerously harmed and affected by others treatment. I believe that is very relatable, because it takes a lot of strength for someone to understand that how they are being treated is not a reflection of who they are.

Youtube.com. 2019. How about another joke, Murray?. [online] Available at: <https://www.youtube.com/watch?v=WbliHNs4q14>

The way the above scene is shot allows for the audience to feel the room. Most of the shots were from the host’s perspective where the main character is looking over his shoulder. The sound in this scene is particularly important as there is no music through the main character’s monologue but when the intense moments begin, the music starts.

East Meets West: Representation of Space

Pixar in a Box. Youtube. 2017. Storytelling: Space. [online] Available at: https://youtu.be/FedOS-whKuM

Above is a screenshot from the ‘Pixar in a Box’ series on YouTube, the scene dictates how lack of space can emulate constraint. Mr Incredible, a strong build / symbol of strength character is placed in a small cubicle. Not only is the cubicle insufficient in size for his build, the artists have further restricted his space by placing a massive pillar within it.

This scene is somewhat driven by the audience, which leans into spectatorship. We, as the audience, feel an overwhelming sense of constraint and tightness for the character. Not only is the ratio between the character and his space off kilter, we naturally compare his situation to the other characters adjacent to him, who have a sense of freedom.

Sanjay’s Super Team. 2015. [film] Directed by S. Patel. USA: Pixar Animation Studios

Above is a screenshot from ‘Sanjay’s Super Team’, a short film about an Indian boy who idolises American super hero’s and somewhat dislikes his Father’s traditional ways. Set in the USA, it highlights the struggles of embracing culture and traditions within a Western context.

In this particular scene, there are multiple references to consider:

The distance between the two ‘worlds’ showcases disconnect or lack of connection between the two characters, although they are both strategically housed under the same roof.

In terms of body language, the two characters in this scene are deflected from each other, both are immersed in their own worlds – almost uninterested in their surroundings. Note, the Father’s posture: upright on his knees, torso erect and placed majestically on the rug at eye level with the deity. Whereas, the son’s posture is relaxed with his leg lifted, flailing almost as he glares upwards staring in admiration at his ‘deities’. From this, we can somewhat gather that the Father is regimented and govern by tradition. In comparison to his son, who shows his age – a sense of child like freedom and unbothered by structure.

For instance, the generational differences – note, the focus on the glaring television, the bright colours and scattered objects somewhat allude to youth. Whereas, on the other side of the room, it is tidy, subdued in colours and the focus is on tradition / traditional objects.

Footnotes

How space alludes to connectivity between the Western culture and South Asian culture.
Relational tension between cultures, highlights the differences.